Wednesday, March 14, 2012

Tomorrow is the BIG EVENT!!! The 2012 table & Chair Affair is Here!!!!

Well after months of working on my chairs and with the other artists on my team, the 2012 table & Chair Affair will finally come to fruition, a culmination of months and months of planning and work. The event will no doubt come off seamlessly, but the behind the scenes work of what puts this event together are huge. I am honored to be part of the Community Warehouse team. The Hot Seat cocktail hour tickets are SOLD OUT!!!!!!!! Amazing! There are still a few of the Reserved Seat dinner tickets left so this is your last chance to join in this amazing event. The over 100 artists and their phenomenal creations are even more outstanding than last years so check them out on line and be inspired. I am so proud that my three kids and their co-workers have been a part of the event this year. The Grishman's plus have created SEVEN items for the auction this year!!!!!!! Maybe you will think about joining the dinner party or think about making something next year.  


This gives you and idea where the funds have gone this past year. It also makes me truly grateful  that I have a home complete with everything I could ever need or want. Other ways to help are just by donating the used items that you might have to find a new home for at the Community Warehouse. There are lots of ways to get involved. Donate used items, volunteer in the Estate Store or the Warehouse, attend the Chair Affair or make a tax deductible donation. Either way you will feel good and sleep better knowing that others will now have a mattress to sleep on as well.

STATISTICS

Community Warehouse provided household goods to over 5,000 people in 2011. Here are some of the items we collected and redistributed to neighbors in need.
Mattresses1,939
Pillows2,188
Armchairs795
Dressers981
Sofas798
Dish Sets3,826
Pots & Pans3,235
Lamps1,773
Kitchen Tables827
Microwaves385
TVs771

Saturday, March 10, 2012

Dance, Dance, Otherwise We Are Lost

That is the subtitle to the film, Pina, which I just had the amazing privilege of seeing. Although difficult to sit pain free, I just had to see this film before it left the theaters, and I plan to see it again as soon as possible, in between upcoming healthcare appointments. I can't wait to return to dance, because I too have been feeling the title of the magnificent film on Pina Bausch. Without dance, I have been truly feeling lost. I was totally transported during this film, to a place that I needed to be. I only hope that I get the go ahead from my doctors, to begin to dance once again as well. This was the first time I have seen a 3-D film, so it truly made me feel as if I was on stage with the dancers, or maybe it wasn't the 3-D that did that for me but the craving to be amongst the dancers. One dancer spoke about her initial fears in the dance, and Pina's response to her was not to be afraid, but to dance what she yearned for, what she craved. Oh, how I understand that feeling. Reading up a bit on Pina, I feel compelled to share a bit of what she said about the dance, which really spoke to me. She was quoted as saying:


"When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else -- the music, the set, the movement and whatever is said. I don't know where one thing stops and another begins, and I don't need to analyze it. It would limit the work if I were too analytical. I'm not interested in how people move, but what moves them."


For me, dance is my spiritual practice, it is about what moves me, rather than how I move, that is why it is so difficult to show up to dance and be limited by my body's restrictions. It puts me in my mind rather than my spirit. Not the place I want to be, yearn to be, crave to be. 


Although there where some subtitles of the dancers talking about their experiences with the dance, and especially dancing as she choreographed them. I loved that the words appeared below their faces, with their voice in the background, without their lips moving, so one could look into their eyes and read so much more than the words could ever translate. I know many of us dance the things we cannot say. The dancers did not really even seem to be choreographed because the movements seemed so spontaneous, as though they rose up from some place other than the external prompting. What also struck me was the complete surrender and trust that each dancer had that they would catch and be caught, held and supported by one another, and at times, becoming one with the other dancer/dancers. The connections were palpable. Each dance seemed more like a performance piece, rather than a specific choreographed dance. The elements of earth, water, air and sky where omnipresent in each dance, and it really was wonderfully difficult to know, where the dancers and the environment began and ended. The dancers sculpted the space so beautifully and the sparse props seemed to be an integral part of the performances rather than outside elements. There was an anthropomorphic quality to the settings. The chairs sculpted the space and became dancers as well.  Everything seemed so integrated in the film, I did not want it to end. I felt tempted to hide under my seat (yeah like that is something my back would allow!) and sneak a stay for the next screening. It was that captivating for me, and maybe, just maybe, the first step in my dance back to my dance.



Saturday, March 3, 2012

The Strength of a Tree Lies In It's Ability to Bend

A number of months ago at an artist show, I picked up a little hand made jar with the quote "The Strength of a Tree Lies In It's Ability to Bend". I have it sitting in the little kitchen window bump out in Shelton, and I look at it every morning, as I work at the sink. It sits under another artist piece, a blown glass piece, that is suspended over the open jar like a pendulum. Each time I read it each morning, I try to take in the full meaning of it bit by bit. Laid up with my back yet another time, I am reading it more deeply and trying to reach that place of flexibility, of surrender that a tree must allow, especially with the winter winds.


 A few weeks ago, one of our trees at the lake was uprooted by an unusually heavy snow, while I was back in the city. When I arrived at the lake, I saw the small casualty of the tall, lanky, young evergreen laying on the ground, it's root ball popped out of the ground. After some professional advice on the best strategy to save the tree, Michael propped it up slightly on a can, and were told that every month for the next six months, we should move it bit by bit, until the tree was righted. Wow, six months till it is upright and hopefully solid in the ground and ready to stand tall to meet the autumn and possibly another tough winter!? Six months. What if I were to think about my body the same way I am thinking about the downed tree? Could I give my self time, and little by little, month by month begin to right myself and become more rooted, grounded and ready to withstand whatever challenges I am faced with next? We were told that if we tried to force the tree totally upright immediately, the tree might be traumatized and more unlikely to survive. We had to approach it gently, gradually, slowly and carefully. This seemed like a very logical approach, although I would be lying if I said I did not want to, with my impulsive nature, put the tree up straight and tap down the soil, possibly stake it and hope for the best right now. But this was not the most practical approach that would insure the best possible outcome for the tree. I accepted that this is what the tree needed.


So, I ended up stranded, so to speak, at the lake for a week in pain, and had to miss the 1st Thursday opening of our Chair Affair, because I was unable to make the drive back to the city. I had to deal with disappointment and resentment. I am not sure what caused my back to go into such painful spasm again, just when I thought I was on the slow road to recovery, feeling so tired of constantly feeling broken inside and out. Before my back's decline, I worked on a large scale drawing. It felt so luscious to feel the smooth, resilient Stonehenge paper on my fingertips, the soft graphite sticks in my hand, double fisting with the brand new fresh white block eraser. I had forgotten how long it had been since I had drawn and "sculpted" with graphite on paper. I cherished every moment of laying down layer upon layer of graphite, while simultaneously "drawing", "sculpting", by removing areas of the graphite with the chunky eraser as images began to emerge from the paper. Carving away at the graphite as I removed it from the paper with the eraser, is much the way I manipulate, move  and remove clay from the mound I hold in my hands, and wait for the image to begin to emerge as I sculpt.  I listened to some old music that I used to draw to, that transported me back to that place I loved. The place of becoming one with the paper, the graphite, the eraser, blackening my hands, till I could no longer tell where the paper, the graphite, the drawing, my hands, my heart and spirit started and ended. That precious time, when you become so totally absorbed in the moment of the process of creating, and seeing the paper come to life and become the unexpected. As I worked on it, listening to Rusted Root and Morphine, the sense of aliveness filled me up more than I can begin to express through words. I stepped back after dancing with the drawing for a while, to see what it revealed to me. The image had begun to come to me in a vision when I had awakened that morning, and began to come to fruition by surrendering to the drawing process. The drawing began to tell me a story. It helped me to work out some of the grief I have been living and helped me to surrender to it through creating. 

I couldn't wait to work on the additional three pieces of large drawing paper that I brought with me, but my body had other plans for me. I suppose it is a slow process to right something, to root something solid enough, to hold itself strong and straight, reaching up to gain strength from the sun and the rain that will keep the ground and the root ball moist and alive, readying itself to take on the next season of it's life. Yes, the strength of a tree does indeed lie in it's ability to bend, to be flexible, to be patient, and trust that in time, if treated with gentleness, tenderness, compassion and not pushing it beyond it's present limits,  it will survive and be as strong as before, maybe even stronger having had to withstand being knock down. Therein lies the lesson, the time, the listening....

Cannibals Gallery Update

Since the sudden, unexpected and unfortunate forced closing of Cannibals "physical" Gallery site on NW 22nd Ave, the Cannibals online gallery is still up and alive and thriving, so keep checking the link as the new physical gallery, possibly a pop up shop or more permanent space is in the works, but we are still Cannibals and Pammela is doing everything she can to find an even better location for the gallery. Knowing Pammela, it will be very special and unique like her, so check back soon!

Saturday, February 18, 2012

Artists in Action

Check out my fellow LCAC member Kate Powell and me at work in this youtube video as we transform our once neglected chairs into works of art that will be auctioned off on Mary 15 at the 2012 Chair Affair to benefit the Community Warehouse!

Thursday, February 16, 2012

Proud Chair Affair Mama























One of my passions is truly The Community Warehouse and the annual Chair Affair event. An even greater passion is my kids. This year's contribution by Adam and Tiffany is as wonderful as last year's Hungry Caterpillar rocker, which by the way was one of the only chairs to get top bid the first night of the event. This year they wow with the wonderful The Chair At Pooh Corner. I am so proud of their efforts for such an amazing cause. I am sure the auction of their chair will raise lots of money for the warehouse once again! You can also check out their chair featured on the Community Warehouse's facebook page 

Wednesday, February 8, 2012

Tuesday, January 31, 2012

Left Coast Artist Collective

I am so thrilled to be a part of the new sister organization of the Portland Artists Collective that has just formed called Left Coast Artist Collective. Check out our blog that I will be managing, as it grows.  It is such an amazing group of proactive, inspired artists, looking to create community. The work that they each do is so diverse and wonderful and I am really looking forward to the evolution of the group as we learn more about each other, inspire, teach, exhibit together, collaborate and show that the whole truly is greater than the sum of it's parts!

Thursday, January 26, 2012

Generosity

Yesterday after my chiropractic visit to try to get this back problem resolved, I went for a walk as recommended by my doctor. It was the first non-rainy day so I headed to walk in the Pearl. I passed Antiques and Oddities at 1605 NW Everett St. and peered into the window. There I spotted a few antique tea pots and cups. Just what I have been looking for, to complete my pair of chairs for the Chair Affair (once I am able to work on them again and feeling frustrated as we are getting down to the wire on finishing them). By the way, I am not someone who works well under pressure or leaves things for the last minute. That is way out of my comfort zone, and with feeling like there is no light at the end of this back pain tunnel, I am forced to allow this to be right now. I have no other choice. I went into the store to browse and keep my sanity a bit and found just the little set I have been looking for. Right style, right colors, higher price than I wanted to pay. The thrift stores have not come even close to having any prospects for pots that would be an asset to my chairs. The owner, Steve Wolford, saw me looking and asked if he could be of some help. I got onto my Chair Affair/Community Warehouse soap box and poured out my heartfelt passion for both. After a lovely and lengthy conversation, Steve said, " you are so passionate about this so how about $10" and I responded "that's practically free!" and took him up on his offer. Wow, all you have to do is put it out there, and you never know what you are going to get! He also said that he always has lots of chairs in is warehouse that are a bit beat up, needing some lovin, and that he would be happy to offer to next years event too. Well my back still hurts, but my spirit is filled with the generosity of spirit that shows up at the most unexpected times. If you are ever in the neighborhood, please check out his amazing shop of wonderful finds and support a local business owner that knows the meaning of giving.

Tuesday, January 24, 2012

The New and Improved Website

After much tweaking by my trusty web designer (the amazing Jenni) I am very happy with the outcome of my new website. Please check it out. I am still completing it but it is up and running and I am very excited about it!

http://jogrishmanartist.weebly.com

Friday, January 20, 2012

Working on My Chairs, Another Blip In The Road

 As I savored working on my pair of chairs for the Chair Affair last weekend at the lake, my back went out on me, so for now, the hopes of getting them done early is a mere dream. I still believe they will be done on time, since we actually have until Feb 10 to hand them in. The frustration, however, remains and I have to just be with it, as I am laid up on my back. I do hope to be up to attending the first meeting of our newly forming (yet to be named) new Portland Artist Collective spin off tomorrow afternoon at The Lucky Lab in Multnomah Village at 3 pm. I am really looking forward to meeting a group of like minded creative spirits who want to create a sense of artist community. I am very excited about the possibilities. For now, I rest............ Here are a few before and progress pix of my set of chairs that will be named "The Tao of Tete a Tea".









My New Website Launched

Just a note to announce a new website that I have created that will allow viewers to learn a bit more about my work as a mixed media sculptor and see a slideshow of my current bodies of work. It is a work in progress so enjoy! Please visit me at: 
  
http://jogrishmanartist.weebly.com

Friday, December 9, 2011

Still Waiting..........

After a endlessly long time "waiting" to do the final firing of the remaining chairs for my "Waiting" installation, and finally wanting, needing to be ready to move on to my next body of work, there was more unexpected waiting. I delicately, lovingly loaded the last family of chairs into my kiln in my basement studio. When I sat down on the floor to program the kiln, I noticed that under my shelf, where all the chairs were drying, along with those already fired chairs, was a lone broken chair. It had somehow been knocked to the floor, probably by one of the interlopers that unfortunately sometimes pass through our basement. I looked sadly at it feeling, oh no, not another setback. I am feeling this need to move on in so many areas of my life right now, but constantly feel pulled back by life itself happening. My choices were, change the number of chairs , from my original intent of the auspicious 108
  BUDDHIST 

Followers use 108 beads in their malas. They implement the following formula: 
6 x 3 x 2 x3 = 108 6 senses [sight, sound, smell, taste, touch, thought] 3 aspects of time [past, present, future] 2 condition of heart [pure or impure] 3 possibilities of sentiment [like, dislike, indifference]


The meaning of the number 108 has been a resonant voice for me that I did not want to stray from. It did not feel true to myself to change it, even after all the "waiting" for the piece to become. I was feeling impatient but a need to be true to my self. I did not want to take the easy way out. My other choice, was to create another chair, after the fact, so to speak, after it felt finished, to be a substitute for the broken one, but I felt that the integrity of the piece, for me would be compromised.No one else would notice the change, but I would, and I have put too much into this piece to compromise now. Each chair was created in a specific order, with a specific intention and story behind it, representing what was happening in my life at the time. My decision was to pick up the crumbled, broken chair and try to mend it, not an easy task. Two of the legs where broken off. Ironically, this is how I am feeling at the moment, broken, trying hard to stand and support myself emotionally,  and trying to mend my heart, again not an easy task. So this is what I was compelled to do. The chair that broke was ironically entitled Disappointment, from when the Waiting installation was not accepted into the Portland Building last year for their exhibit. So here I was, faced with this wounded little chair, like Humpty Dumpty. I used all the tricks of the trade, vinegar, slip, toilet paper shreds , time and patience. It is now, after a few hours of tedious work, back together again, not the same as it was before. Now it is awkward, unbalanced, misshaped, unable to stand on it's own, and not pleasant looking like the other chairs in the family of Waiting, although they are each a bit unique, and have their own personalities. It looks a bit out of place, and there is no guarantee it will survive the firing. More waiting. I will sequester the chair on it's own shelf for the firing, so that if it shatters, it will not harm the other chairs. I scratched off the title from the back, breaking it a bit again, mending it again, and then carving it's new name on the back, difficult with bone dry clay. It is now named Loss and will now be moved, taking the auspicious  spot of last chair, the final one to be finished in the installation of 108. It will hold a small feather that a bird lost, and that I picked up and saved in Florida, during a rare, brief walk to gather myself, and try to take care of myself. Sometimes, things get broken, and they will never be the same again. Sometimes they can be mended, and will still never be the same either. Part of life, part of hurt, part of being human, part of death. Whether it is relationships that are not what you once thought they were, that you thought you could count on and now you feel deceived, or the people you love break and you have to let go of what they were, and accept what they are, or are not, right now. We have to try to give up all hope of a better past, and try to accept and make peace with what is now. Change is inevitable, suffering is optional, so they say. Neither feels easy right now, but it just is. In a few days, when the broken and mended chair is dry enough to join the others in the kiln I will fire it. I have to give up any expectation that it will not break again, will not survive the firing. I will have to wait and see and know that I have no control over the outcome, but trust that the outcome will be as it should be.

Saturday, December 3, 2011

Please Vote to Support the Community Warehouse! (You don't even have to leave your house!!)


THE IDEA

Every year thousands of tons of usable furniture and household items are dumped in area landfills by people who don't know what to do with an unwanted mattress, couch, or television. Don't Dump It, Donate It! is a campaign to collect reusable items and redistribute them to families in need.http://www.communitywarehouse.org

THE PLAN

Community Warehouse collects and redistributes donated household items and furniture to individuals and families working to rebuild their lives. As the only furniture bank in our area, we help those who are resettling after crises such as homelessness. Funds will be used to increase our collection capacity, addressing our shortage of frequently requested items while keeping usable items out of the landfill. This project involves community education and outreach, collection and landfill diversion, and direct human service through redistribution. The gently used goods will provide low-income families with the ability to cook whole meals, eat together at a kitchen table, and enough blankets, towels, and sheets along with beds to sleep on.


One Foot In Front of The Other

"In the darkest hour the soul is replenished and given strength to continue and endure."
H.W. Chosa

As difficult as it might be, I am trying to move forward, sometimes not sure if I have what it takes to propel me forward, yet I try. My art gives me solace and when I got a call from Pammela at Cannibals, it was just the nudge I needed to get myself out there, by putting my art out there. My art is an extension of my soul, my spiritual practice, my self portrait, and the opportunity to let go of some of my creations and put them into the world, somehow creates space to create new work, in response to my life right now. Whether it is in response to the beauty of the colors of Sedona and The Grand Canyon, or the darkness that I feel inside, that loss brings. So I have 6 of my smaller mixed media sculptures on exhibit at Cannibals. They are part of the holiday offering, to allow people to considering one of a kind locally created artwork. The sense of art community that Cannibals offers, is one sense of place that will keep me moving forward now, one foot in front of the other.

"In release, we begin." ~ From The Book of Awakening by Mark Nepo



Wednesday, November 30, 2011

How To Step Back Into The Dance of Life

Last night I had to push my weary body to take that first step back into the dance of life, by returning to dance. It was not easy and it was exhausting. How strange the struggle is, of going forward with life as usual, when life is anything but usual. How to allow myself to attempt to experience joy, without guilt. How dare I, but how dare I not. It felt like the moving walkway in the airport, that you try to find the perfect moment to step onto, without missing a step. To step back into my old life with the people and commitments and find that opening, because yes, things are not the same as usual. Yet those places of solace, those comforting richnesses are still there, I just have to step into them, to find that opening. How strange to enter the dance space and see the poem that was strewn on the floor, the same poem we were dancing when I left three weeks ago, a lifetime ago. There was a comfort in that sameness. Like in the Wizard of Oz when Dorothy awakens from her "dream" to find all is still the same, waiting for her as if she had never left.  It felt that time had somehow stood still, and that the dance had waited for me. In reality, it is the longest Mary Oliver Poem we have danced to date, so I was soothed to see that I was there the first day we started dancing it, and would be present to continue the poem until we were done. The line that chose me last night, did not particularly speak to me, from Have You Ever Tried to Enter the Long Black Branches? My line was, "And I would touch the faces of the daises," but when Winky commented that maybe it meant to be gentle with myself, I felt touched, moved, held, loved. The line my fellow dancer chose spoke to me in a more immediate direct way, the way that I have been feeling but suffer my devotion."  so I know I danced that line too. This is what it feels like right now. How devotion always seems to bring suffering of some kind. The devotion does not feel like a choice, but is the suffering inevitable? I am trying to figure this one out, to dance it out in my life right now with baby steps, the only dance steps I can take at this moment. And the last line of the poem is, "I climb, I backtrack. I float. I ramble my way home."






Friday, November 18, 2011

The Persistence of Memory

There is no one way to let go, to hold on, to give up hope of a better past, and to live in this moment, as painful as it may be, as you let a loved one go. I can't stop being drawn to listen to the song The Persistence of Memory, over and over again. It is so ironic, because it brings me back to a time and place when I was in elementary school, starring as the scarecrow in the school production of The Wizard of Oz, a book that has become my personal bible. I remember going to my teacher Mrs. Snyder's house for a cast party, and as everyone mingled, the painfully shy me, sat on the couch devouring what would be the first art book that would start my obsessively wonderful art book collection. When I returned home like an excited school girl, and told my parents, my next surprise present was none other than my very own copy of the Salvador Dali that I still have today. This book, the luscious gold covered Salvador Dali book, with the melting clocks of his painting The Persistence of Memory on the cover, is still one of my all time cherished books. I became enthralled with surrealism in art and still am, and the way I am feeling right now is surreal. I am sleep deprived and my soul is aching. My legs feel as liquid as the melting clocks, and they feel as they can not support me most of the time. I feel the need for the crutches that are omnipresent in Dali's paintings. I am trying to hold my family and myself up with a liquid body, and hold my mother up as well, because her legs are truly failing, her as she transitions out of the world as she has known it. I am so angry that I keep being presented with lessons on how to learn to live "the new normal". How many shifts in the world as one knows it, can be made, and still feel some sort of stability, rootedness, sense of place? I feel as if as soon as I learn how to navigate a road, the road changes. They have been tarring and paving and rerouting people in this Florida community in which my mother lives for the two weeks (or has it been two months that I have been here?) and nothing seems to go smoothly. Time seems to both stand still, and be endless at the same time. Is it unrealistic to think that life should go smoothly? Apparently so! I finished my 2 mile walk, in the first rain and breeze of this oppressively hot and humid Florida. It has felt suffocating, but not as suffocating as my mother must be enduring, so how can I complain. I can finally open the windows and let a bit of the outside in, but it still feels so claustrophobic. I feel like I am drowning and trying to reach and grab onto a lifeline that I can barely see through the fog, yet I continue to reach, to dig deeply, to find the strength to move through this, knowing there is a light at the end of the tunnel, although it seems so dark and elusive in this moment. I have to have faith that light does exist and that "this too shall pass" (one of my father's favorite sayings). Although right now, I find it difficult to feel thankful or grateful, although this year has given me so much to feel grateful for, this Thanksgiving, the greatest gift would be a peaceful dignified passing for my mother. As I completed my walk, the last song to shuffle to my ears was India Arie singing the lyrics "strength, courage and wisdom are inside of me". Have to make that my mantra and hold onto that truth and believe. And then the memories will persist, good, bad and everything in between. I think that must be what we call life...........
The Persistence of Memory
When I’m traveling far from home
On the wide horizon
I can feel you’re still around
And the dream overtakes me
Then I know, you’ll stay in this moment
We’ll go where it’s flowing
You’ll be what you want to be right here, with me 
When I’m out here on my own
And it all cuts through me
I see you’re safe alone
Ah, then it hits me 
And I know, you’re here in this moment
Right where it’s flowing
You are what you want to be
Right here, with me
Stay in this moment
Go where it’s flowing
You are what you want to be
Right here, with me . . . with me . . . with me. . .


Wednesday, November 2, 2011

Dancing and Falling Into The Longest Poem as the Days Grow Darker



Now that it is truly feeling like the crisp autumn is upon us,
 a time of feeling a pull inward to the darkness, that, however difficult, 
 I feel I must resist against for the moment,
 I danced last night for the last time for a few weeks, 
 as I begin my journey to Florida, to share some richness of family. 
 I take this poem with me, 
 to inspire, to inquire, to explore, to sort it out, to understand,
 to dance the poem in my life, as I did last night to the shortest line,
 I float.
 This poem could not be more perfect for me to delve into, 
 and move through into the darkness the end of the year brings. 
 It offers such richness and depth. Ironic, that this line, I float, 
 chose me last night, since I have not been feeling grounded lately, 
 yet not feeling the lightness of being that the vision of floating
 brings into my mind either. Instead, I need to be grounded, rooted,
 yet I will be flying once again, traveling that does not come easily to me. 
 How does one float and stay grounded simultaneously?
 It seems like an oxymoron.
 I feel like my arms are the wings that are being used to fly, 
 although weighted down with emotions of many sorts, 
 making it difficult for my arms, my wings, to lift in flight. 
 They are heavy with burden, yet I try to lift them anyways, 
 and float, glide, if I can. Trying to gain the momentum I need,
 to propel myself forward into the darkness, 
 and carry my family with me. But for now, 
 I will try to enter the long black branches, to try to become rooted, 
 grounded, and savor every word, every line my fellow dancers 
 began to dance last night with me, and I will continue to dance 
 into the growing darkness, as the longer darkening days of autumn
 slip silently upon us. I will take them all in on my travels, 
 and dance them, however my life shows up at the moment. 
 I will try to gain wisdom and strength from these words, 
 as I carry my family on my wings and still try to reach that 
 lightness of being and be able to soar, and in the words of Mary Oliver 
.............determined to do the only thing you could do 
--determined to save the only life you could save..... 

Have You Ever Tried to Enter the Long Black Branches?
                                     ~ Mary Oliver~

"Have you ever tried to enter the long black branches of other lives --
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?

Do you think this world was only an entertainment for you?

Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over the dark acorn of your heart!

No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!

Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?

Well, there is time left --
fields everywhere invite you into them.

And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?

Quickly, then, get up, put on your coat, leave your desk!

To put one's foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!

To set one's foot in the door of death, and be overcome
with amazement!

To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird's pink mouth,
to the tippets of the honeysuckle, that have opened

in the night

To sit down, like a weed among weeds, and rustle in the wind!

Listen, are you breathing just a little, and calling it a life?

While the soul, after all, is only a window,

and the opening of the window no more difficult
than the wakening from a little sleep.

Only last week I went out among the thorns and said
to the wild roses:
deny me not,
     but suffer my devotion.
Then, all afternoon, I sat among them. Maybe

I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.

For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!

A woman standing in the weeds.
A small boat flounders in the deep waves, and what's coming next
is coming with its own heave and grace.

Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?

And I would touch the faces of the daises,
and I would bow down
to think about it.

That was then, which hasn't ended yet.

Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean's edge.

I climb, I backtrack.
I float.
I ramble my way home."





Trying to Absorb Our Wonderful Grand Canyon/Sedona Voyage



I have arrived, I can't believe I am here and I am in shock!!!!

I have not fully absorbed and given myself time to embrace my trip to Arizona, since I will be on the road again shortly. I think I have not written about the trip because it is something that words cannot describe. The almost 700 pictures I took , do not even come close to capturing the awesomeness of Mother Nature and the humbling smallness that I felt. Smallness in a wonderful way, as I felt held by all I saw. There were many highlights as I explored the land hiking the Red Rocks of Sedona,
 or seeing the sun set from the balcony of our hotel,
venturing down hiking into The Grand Canyon, 


(well the word Grand simply doesn't do it justice!)


from the air, on the Colorado River




 hiking into Antelope Canyon, accompanied by our Navajo guide playing his flute, a truly spiritual moment for us both,

watching the elk frolic outside the lodge, 


being gifted with a rainbow over the Grand Canyon!,







To say the least, it was the trip of a lifetime, and I feel forever changed for having experienced it and especially for sharing it with my beloved!




 and see the world through his eyes!